phen by kyle, l’artiste
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- Peter Atencio, via Cat Solen
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do you see it?
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Things are not all so comprehensible and expressible as one would mostly have us believe; most events are inexpressible, taking place in a realm which no word has ever entered, and more inexpressible than all else are works of art, mysterious existences, the life of which, while ours passes away, endures.  —Rainer Maria Rilke
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At Leisure
Your face is poetry by alicexz
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Sherlock
by Alicexz

ϟ RE: heART. [a confession]

“I want to write.”
“So like … a journalist?”
“…. No.” 

My first memory of writing is when I was in 3rd Grade, eight years old, and in addition to math, history, etc, we had a writing class — thirty or so minutes of pure writing. It was then, sitting in a classroom with the bright, big world ahead of me, I discovered what I was really good at, and more importantly, what I truly loved.

Over the years I’ve struggled with wanting to do this, with knowing that people I looked up to would disapprove, knowing that it would sometimes be hard and that I might find some easier-to-grab “success” being a business major.
In the past year, particularly in the past four months, however, it’s gotten to be a stronger need, more than just a want. I’ve always known, deepdeepdeep down in my little soul, that I want to be a writer. Whatever that means.
But I never knew how much I needed it until recently.

A friend of mine led me to “Letters to a Young Poet”, a compilation of letters written by Rainer Maria Rilke. He asked me to please read them (here’s another thank you forever), because I was feeling down about everything, and even though I didn’t know it, I needed more than anything else to read what Rilke had to say.
In that first letter, I came across this: 

This most of all: ask yourself in the most silent hour of your night: must I write? 

It was the most silent hour of my night.

And I must.

<3C

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differentrealms:

The Flammarion engraving is wood engraving by an unknown artist that first appeared in Camille Flammarion’s L’atmosphère: météorologie populaire (1888). The image depicts a man crawling under the edge of the sky, depicted as if it were a solid hemisphere, to look at the mysterious Empyrean beyond. The caption translates to “A medieval missionary tells that he has found the point where heaven and Earth meet…”
A work of art is good if it has sprung from necessity.  —Rainer Maria Rilke
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I came across some of Marcel Dyf&#8217;s paintings on a blog I happened upon, and after being in a most artsyfartsy mood all day, I couldn&#8217;t help but share it with everyone. I think his work is stunning, particularly those of model-turned-wife Claudine (shown above).
&lt;3
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